From Wikipedia. Flatt was born in Duncan's Chapel, Overton County, Tennessee,[1] to Nannie Mae Haney and Isaac Columbus Flatt. A singer and guitarist, he first came to prominence as a member of Bill Monroe's Blue Grass Boys in 1945. In 1948 he started a band with fellow Monroe alumnus Earl Scruggs, and for the next twenty years Flatt and Scruggs and theFoggy Mountain Boys were one of the most successful bands in bluegrass.[2] When they parted ways in 1969, Flatt formed a new group, the Nashville Grass, hiring most of the Foggy Mountain Boys.[3] His role as lead singer and rhythm guitar player in each of these seminal ensembles helped define the sound of traditional bluegrass music. He created a role in the Bluegrass Boys later filled by the likes of Jimmy Martin, Mac Wiseman, Peter Rowan and Del McCoury. His rich lead voice is unmistakable in hundreds of bluegrass standards. Lester Flatt memorial in Sparta, Tennessee He is also remembered for his library of compositions. The Flatt songbook looms titanic for any student of American acoustic music. He continued to record and perform with that group until his death in 1979 of heart failure, after a prolonged period of ill health. [3] Flatt was posthumously inducted into the Country Music Hall of Fame in 1985 with Scruggs. He was posthumously made an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. His hometown of Sparta, Tennessee, held a bluegrass festival in his honor for a number of years, before being discontinued a few years prior to the death of the traditional host, resident Everette Paul England; Lester Flatt Memorial Bluegrass Day is part of the annual Liberty Square Celebration held in Sparta.[4] Flatt and Scruggs were ranked No. 24 on CMT's 40 Greatest Men of Country Music in 2003. They performed "The Ballad of Jed Clampett", which was used as the theme for the television show The Beverly Hillbillies This is the grand daddy of guitar licks right here. The beauty of this one is that it starts right on beat number 1, making it rhythmically easy to splice into your lines. Example 1. shows the G run in, surprise, the key of G. You can pick every note, or use slurs at higher speeds if you want, just make sure each note is clearly articulated. Examples 2 and 3 are the same lick in the keys of C and D. Put them all together for a I-IV-V progression, showed in the example tune Flatt Running. Play with a metronome and slowly work your way up to a breakneck speed.
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